Showing posts with label low light. Show all posts
Showing posts with label low light. Show all posts

27 April 2021

 It's all about the light, that precious and fickle element to photography.

More so crucial to me when photographing in subtropical locations where often it's so harsh and crisp that leads to high contrast images. 

But now, coming closer to the winter solstice, it's softer, warmer and the sun lingers longer over the horizon before it sets giving more time to create a few softer images.

On a camping trip with a riding buddy.

sunset ride


twins at camp


first fire




28 August 2020

Urban motorcycles

I am not a big fan of urban riding with all the stop-go traffic and congestion. But admittedly there are some spots in the city that lend themselves as a backdrop for interesting images.

  XSR700 blue hour_b
Yamaha XSR700. M.Zuiko 45mm f1.8


Alex's CB650R
Honda CB650R.  Zonlai Discover 25mm f1.8


Keith's XSR_b
Yamaha XSR700. Kodak Cine 102mm f2.7



the touch
Yamaha XSR700.  Cosmicar 50mm f1.4  (C-mount)


bike and rider_bw
Yamaha XSR700. M.Zuiko 45mm f1.8


riders
Yamaha XSR700.  Cosmicar 50mm f1.4  (C-mount)


Benji
Benji. Cosmicar 50mm f1.4  (C-mount)

19 December 2017

Genuine feeling

While often I am drawn to the conventional "pretty features" of people, beauty can also mean something different to me: often not just their physical appearances but their sincerity and genuine disposition
I found that in a very small village on the Coral Coast in Fiji; somehow the look on their faces seems to radiate the altruism that they carry within.


Leone's passion
refitted F.Zuiko 32mm f1.7  (from Pen EED)  1/25sec

They share their passion for helping others, would that be trough singing and praying, on a mission that doesn't discriminate religion; all are welcome.
I was invited to their humble premises where I was welcomed to sit on the floor to listen to their beautiful voices accompanied by a guitar.

Leone and Johnny


I didn't notice any shyness and no reservation in me taking a few photographs there. Nobody asked me: "What are going to do with those photographs?"
A very refreshing interaction, so different than the self-image obsession of the Western world.

Mary at the mission
refitted F.Zuiko 32mm f1.7  (from Pen EED)  1/2500sec

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08 June 2016

Dragons at sunset

The Westerly wind blew in kitesurfers to my beach.
Like dragons with colorful wings they scooted along the shore occasionally taking flight.

Kite sails_c
refittted Russian projection lens Triplet 78mm f2.8  1/1250sec

Kiterider shadow_c
refittted Russian projection lens Triplet 78mm f2.8  1/3200sec


Blurry fast kite rider_c
Cintagon 100mm f3.5  1/60sec


There was an angel among them and at the end of the day she carried her wings when the wind dropped.

Angel wings_c
Pentax-110 50mm f2.8  1/60sec


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24 May 2016

Same place: 3 different moods

I was hoping for a fiery sunset that evening.
All week long the sky has been turning spectacular with powerful red skies; but I was stuck in the city.
Now it was Saturday and I headed to the beach: it was going to be low tide at sunset.
But one thing it's sure with outdoor photography: I can't control the light.
What I thought was going to happen didn't: there was no fiery sky, no dramatic clouds.
The sun lowered to the horizon and then it met low dark clouds. The light went from soft warm to steel cold and flat.

I had a few vintage lenses with me, none of them really designed for my camera. One was a slide projection lens from a Kodak Carousel that I mounted on some macro bellows to be able to focus and certainly the hardest lens to use. Very low contrast, not very sharp and rendering highlights with a glow.

Misty soft evening_c
Kodak Ektanar C 102mm f2.8 slide projector lens  1/4000sec

As the light quickly changed I suddenly was faced with a very blue light that robbed all the typical colors of a beach at sunset. What it gave me instead is the opportunity to create a different look, of a more somber and pensive style.

Evening stroll with the pooch_c
adapter lens from miniature SLR system Pentax-110: 70mm f2.8 (fixed aperture)  1/640sec

Eventually the light faded away and just as I was heading back I notice the mangrove tree silhouetted against the sky.

Mangrove tree at low tide_c
adapter lens from miniature SLR system Pentax-110: 18mm f2.8 (fixed aperture)  1/200sec


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20 April 2016

Alfresco dining

With a warm climate year-round and low precipitation Brisbane offers the perfect weather for eating out, under the stars.
I particularly enjoy the markets and urban parks South of the river where dining is a much more organic and low -profile experience than in the city itself. 

Boundary St markets_c
G.Lumix 14mm f4.5  1/6sec
I see a more down-to-earth crowd where the focus is to enjoy oneself, not parade or show off :-)
The people that frequent these places are very approachable and conversations flow easily.
The food can be viewed and the offerings are extremely varied, from all continents.

Chef's reccomendation_c
G.Lumix 14mm f2.5  1/25sec
And ultimately I see a much closer connection between people where they can mingle freely and not just stuck behind a crammed noisy restaurant table unable to talk due to the noise.

Sth Bank alfresco dining_c
Pentax-110 50mm f2.8  1/6sec
After living in USA for almost a decade (MA, VA, UT and CA) I now really appreciate how these open spaces where one can socialize and enjoy a simpler life contribute to a more genuine quality life.

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14 February 2016

Rainforest trees

In the dense subtropical rainforest the trees are overwhelming; I rarely see the whole tree.
The close proximity of the giants keeps my view focused at the base of their trunks, observing the intricate shape of the roots and texture of the bark.

Buttress roots_c
G-Lumix 14mm f4.5  1/4sec

The light is diffused and the moisture allows for vines, lichens and mosses to grow, sometimes creating abstract paintings on their bark.

Rainforest tree detail_sat_c
G-Lumix 14mm f4.5  1/15sec

And the root system is at times rather bizarre, nothing like I have ever seen in a European forest.

Hugging roots_c
M.Zuiko 9-18mm f4.5  1/15sec

26 January 2016

Weathered snow gum

The winter storms on the Australian high country Snowy Mountains create a harsh environment for trees to survive.
Only the hardy evergreen Snow Gums have the ability to adapt; the wind bending their trunks and branches, they often root themselves to a cluster of granite boulders.
A bed of daisies keeps them company.

High country snowgum_c
G-Lumix 14mm f2.5   @f4  1/30sec